Ninepenny Marl
(the name comes from a version of Nine Man's Morris) are a four part
unaccompanied harmony group which formed in the early seventies, then took
'a bit of a break' and reformed a couple of years ago, As a result, this
is their debut album, but unlike most first albums it benefits from
assured performances of well-sung-in songs from an extensive range,
The spectrum of
music featured on the album's
seventeen
songs is itself impressive - from hymns ancient to updated paganism, songs
from every part of the English-speaking world, Even when the song is
familiar, their arrangements are surprising and always valid (take a
listen to their take on The Battle Hymn Of The Republic, Johnny Todd or
Babylon).
The singing is
rugged: the production is deliberately basic and unobtrusive and the album
is all the better for this bold move. The effect is that you hear the
group exactly as you would in a folk club: the greatest affirmation of
this is that you simply cannot resist joining in, There is no temptation
to take the album off - as one track concludes you genuinely want to hear
what's coming next. No mean feat on a long CD where all you hear are four
unadorned voices,
Thoroughly
enjoyable and a genuine delight.
Nigel Schofield
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